I'm feeling that I should have seen the connection between my photo Into the late summer light (see previous post) and W.Eugene Smith's Walk to Paradise Garden as pointed out by a number of people. Of course I was aware of Eugene's Smith's picture, although it's not something that I've held uppermost in my mind. If pushed, I would say that I have always found it a touch sentimental.
I think the photos (his and mine) are very different, and the reason that I hadn't made a connection - apart from only just having processed it - could be because of the 'mind-space' I am in as the photographer, rather than the viewer. The difference is maybe more apparent to me because of the process I went through taking it (just one of a roll of exposures as I tried to keep up with them) and because of the difference in motivation in taking the picture cf Eugene Smith who - and I've looked up a bit about it - needed a kind of revelation at that time or at least reason for carrying on...my motivation was very different. The results seem very different too, to me at least, even the play of light, although obviously there are two figures heading towards the light, from shady greenery. I do like the connection being there, though, after the event (if that makes sense).
I think it shows how valuable it can be to get feedback on your own work. It also raises interesting questions - where work comes from, how it relates to all that has come before. Whilst acknowledging the past (with gratitude) I'm not someone who believes that everything has been done already. I believe the opposite - there is everything yet to do.